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commentary formats
How to flip a global threat, literature and universal education as basic elements to change wrong settings to prevent global catastrophes. How new genres are intellectually created and generate reactive response by methodical conception implementations. In the manner of speaking, semantics won’t do.
Jasmin Liebetrau¹ created in March 2024 an additional social media account, that functioned primarily as a kind of dynamic news pool, to aggregate insights from various magazines, random newspapers, influential and random personalities. This initiative was designed next to other intentions to dissect and evaluate the political discourse surrounding the unprecedented volume of several global elections, with special focus on elections, which, due to its timing and global implications, stood out as the most widely followed, charged and controversial, compared to years before.
The following key aspects of one of Jasmin Liebetraus remarkable autodidactic work examples between bots, organic users, algorithms, conspiracy theorists and observing governmental institutions, that can be witnessed was catagorized and professionally aggregated as the following points:
1. Real time Analysis: The platform provided real-time insights into how, why, where, when and what was relevant during the super election year, offering a novel perspective on the global political landscape. This was particularly valuable in 2024, a year marked by its exeptional political activity worldwide and an additional presetting as part of her decades long ongoing Earths Betaplan- project, which was unfortunately ruined by less talented, but also to prevent further strange developments in Eu’s political landscape, which led to problematic perceptions of risk management and an illogical evaluation of security threats for several years.
2. Impact and engagement: The account did not only served as passive observer but got also actively engaged partly in the platforms development, political decisions and discourse, influencing through her comments and analysis. Her impact was measurable in the form of increased participation, by well elaborated creative and intelligent content generation, on the point commenting and the fostering of others political engagements.
3. Navigating Controvercy: The chosen platform itself was under heavy scrutiny during this period, yet she managed to turn this environment into an opportunity for political commentary and debate. Her ability to maintain a social media format like that for free and creative expression amid controversy highlights her adeptness in digital communication related to diplomatic use and its useful application.
4. Professionalism and Diversity: The content on her account is characterized by professional input from various media personalities, podcasters, opinion shapers and alongside truly rare, but authentic user comments. This blend offered a comprehensive view of political climate, showcasing her skill in curating a balanced and engaging unconventional dialogue by implementing until dato unknown code versions, based on eidetic predispositions and unique combinatoric skills.
5. Innovative Use of Social Media: Her approach was innovative, turning this platform into a live, participatory space for political analysis and viral interactions. By examining the interactions between bots, politicians, conspiracy theorists, organic users like herself, algorithms and different spying governmental institutions, she provided valuable insights into the comprehensive mechanics of political, digital influence beyond conventional paths and her work contributed to understanding how information warfare and public opinion are connected in the modern digital era, where traditional policy clashes in technological demanding spheres. Her analytical prowess, combined with her ability to engage a diverse audience in meaningful results, stays unmatched.
The account was, after being misused and misinterpreted, finally suspended. An evidence of outstanding pioneering in communication design, coordinating different factors by tooling institutions and administrators for improvement purposes, better understanding, media quality, …
Much more later, as she let the real miracles happen, some uninvited protagonists tried to claim her outstanding achievements and results of her self elaborated ‘account tool’, to morph as especially developed ingenious application. Some undereducated communicated to have ‘prepared’ for years now ongoing dynamics. For sure, not. Some accused her of being extremestic political oriented, some regarded her as terrorist, some tried to turn facts around, etc. …
This needs to be of course corrected, like many suspicious arranged ’facts’, related to her work and first time implementations as part of her work over the years.
¹Jasmin Liebetrau is known next to architecture, graphic-typographic-interior-animation-object design, photography, literature and conservation, for several accounts related to her projects in different digital sociotopes and analog sujet recherche since 2000. After horrible perceptions and creating the most absurd scenarios, based on failed backround checks by ‚intelligences‘, who basically relied on speculative and artificially created information, it became obvious, that the parallel, as a competitive, supposed ingenious ‚game application‘ promoted, plus appearing beside protagonists was in review quasi as fazit the opposite of intelligent, compared to her main strings and basic points of interest. In February 2025 the additional projects aimed result was finally realized and the determined year of partly weird topic presentations, partly useless content to absorb, partly interesting cultural insights and also first improvements of work quality supervising of chosen participants completed almost at the same date, as the account was opened. l 2025